{"id":12,"date":"2025-04-19T20:26:33","date_gmt":"2025-04-19T20:26:33","guid":{"rendered":"https:\/\/settimana.lennard.dev\/?page_id=12"},"modified":"2026-05-31T06:11:32","modified_gmt":"2026-05-31T06:11:32","slug":"12-2","status":"publish","type":"page","link":"https:\/\/www.settimanamusicaledeltrecento.it\/en\/","title":{"rendered":"la X &#8220;Settimana musicale del Trecento&#8221;"},"content":{"rendered":"<div class=\"wp-block-columns alignfull is-layout-flex wp-container-core-columns-is-layout-794e3cfa wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-style-default is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\"><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group alignfull has-background has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\" id=\"corso\" style=\"background-color:#e8f1f8;padding-top:var(--wp--preset--spacing--70);padding-bottom:var(--wp--preset--spacing--70)\">\n<h1 class=\"wp-block-heading has-text-align-center\" style=\"font-size:clamp(24.034px, 1.502rem + ((1vw - 3.2px) * 1.565), 40px);\">The Course<\/h1>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-cc2accd9 wp-block-columns-is-layout-flex\" style=\"padding-top:40px\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:55%\">\n<p class=\"wp-block-paragraph\" style=\"margin-top:0;margin-bottom:var(--wp--preset--spacing--30);font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.588), 20px);\"><br>This year, the \u201cSettimana\u201d will take place from July 6 to 12, with arrivals on the 6th and departures on the 13th, at the Ivan Bruschi House Museum, opposite the church of Santa Maria della Pieve. <a href=\"https:\/\/www.fondazioneivanbruschi.it\/casa-museo\/\">Casa Museo Ivan Bruschi<\/a>, di fronte alla chiesa di Santa Maria della Pieve.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:45%\">\n<figure class=\"wp-block-image size-full\" style=\"margin-top:0\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"500\" src=\"https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2026\/02\/Casa-Museo-Ivan-Bruschi.jpg\" alt=\"\" class=\"wp-image-287\" srcset=\"https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2026\/02\/Casa-Museo-Ivan-Bruschi.jpg 800w, https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2026\/02\/Casa-Museo-Ivan-Bruschi-300x188.jpg 300w, https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2026\/02\/Casa-Museo-Ivan-Bruschi-768x480.jpg 768w, https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2026\/02\/Casa-Museo-Ivan-Bruschi-18x12.jpg 18w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignwide are-vertically-aligned-center is-layout-flex wp-container-core-columns-is-layout-d7bb7af5 wp-block-columns-is-layout-flex\" style=\"padding-top:60px\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:45%\">\n<figure class=\"wp-block-image size-full\" style=\"margin-top:0\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/settimana.lennard.dev\/wp-content\/uploads\/2025\/04\/5E7D5148-1024x768-1.jpeg\" alt=\"\" class=\"wp-image-35\" srcset=\"https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2025\/04\/5E7D5148-1024x768-1.jpeg 1024w, https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2025\/04\/5E7D5148-1024x768-1-300x225.jpeg 300w, https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2025\/04\/5E7D5148-1024x768-1-768x576.jpeg 768w, https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2025\/04\/5E7D5148-1024x768-1-16x12.jpeg 16w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-style-default is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:55%\">\n<p class=\"wp-block-paragraph\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.588), 20px);\"><br>The final concert, as is now tradition, will be held in the nearby Church of San Pier Piccolo on the evening of July 12.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group alignfull has-background has-global-padding is-content-justification-center is-layout-constrained wp-block-group-is-layout-constrained\" id=\"repertorio\" style=\"background-color:#cfe7dc;padding-top:var(--wp--preset--spacing--70);padding-bottom:var(--wp--preset--spacing--70)\">\n<div class=\"wp-block-columns alignwide are-vertically-aligned-center is-layout-flex wp-container-core-columns-is-layout-794e3cfa wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-group is-layout-flow wp-block-group-is-layout-flow\" style=\"padding-right:var(--wp--preset--spacing--80)\">\n<h2 class=\"wp-block-heading has-text-align-center\" style=\"padding-top:0;padding-right:0;padding-bottom:0;padding-left:0;font-size:clamp(24.034px, 1.502rem + ((1vw - 3.2px) * 1.565), 40px);\"><a href=\"https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2026\/03\/Course-Program-SMT-2026b.pdf\">Repertoire<\/a><\/h2>\n\n\n\n<p class=\"wp-block-paragraph translation-block\">The course is designed for all students who wish to deepen their knowledge of the most challenging medieval repertoire while developing their performance skills.<br><br>The course will focus on the Franco-Cypriot Codex <strong>Turin J.II.9<\/strong>: Ballads, Rondeaux, and French Virelai in the <em>Ars Subtilior<\/em> style. This is a unique repertoire, rarely heard and unknown, as no composer's name is associated with these pieces. <br><br>Lessons will be available for flute, vielle, voice, lute, harp, accordion, and medieval notation, but, as always, the course is open to any instrumentalist or musician interested in this repertoire.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<div style=\"height:20rem; width: 100%;\"><iframe loading=\"lazy\" width=\"100%\" height=\"100%\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/_et1r6eDNVI?si=oL3BrPQqiCJDxCN5&amp;controls=0&amp;autoplay=1\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"0\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group alignfull has-background has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\" id=\"docenti\" style=\"background-color:#f2e7e8;padding-top:var(--wp--preset--spacing--70);padding-bottom:var(--wp--preset--spacing--70)\">\n<h2 class=\"wp-block-heading has-text-align-center\" style=\"font-size:clamp(24.034px, 1.502rem + ((1vw - 3.2px) * 1.565), 40px);\">Teachers<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-794e3cfa wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-bottom:var(--wp--preset--spacing--50)\">\n<figure class=\"wp-block-image aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"714\" src=\"https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2025\/04\/kees.jpg\" alt=\"\" class=\"wp-image-21\" srcset=\"https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2025\/04\/kees.jpg 800w, https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2025\/04\/kees-300x268.jpg 300w, https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2025\/04\/kees-768x685.jpg 768w, https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2025\/04\/kees-13x12.jpg 13w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading has-text-align-center\"><strong>Kees Boeke<\/strong><\/h3>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">Viella and flutes<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-bottom:var(--wp--preset--spacing--40)\">\n<figure class=\"wp-block-image aligncenter size-full\"><a href=\"#claudia\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"714\" src=\"https:\/\/settimana.lennard.dev\/wp-content\/uploads\/2025\/04\/claudia.jpg\" alt=\"\" class=\"wp-image-27\" srcset=\"https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2025\/04\/claudia.jpg 800w, https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2025\/04\/claudia-300x268.jpg 300w, https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2025\/04\/claudia-768x685.jpg 768w, https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2025\/04\/claudia-13x12.jpg 13w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/a><\/figure>\n\n\n\n<h3 class=\"wp-block-heading has-text-align-center\"><strong>Claudia Caffagni<\/strong><\/h3>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">Medieval lutes and notation<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><em>With special collaboration of: <\/em><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Cristina Greco<\/strong>:  harp<\/p>\n\n\n\n<div class=\"wp-block-group is-layout-grid wp-container-core-group-is-layout-e39da43a wp-block-group-is-layout-grid\">\n<p class=\"has-text-align-center wp-container-content-e29552f7 wp-block-paragraph\"><strong>Michael Meixner<\/strong>:  organetto and solmization on the Guidonian hand.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-full\"><a href=\"#jill\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"714\" src=\"https:\/\/settimana.lennard.dev\/wp-content\/uploads\/2025\/04\/Jill_Tokyo.jpg\" alt=\"\" class=\"wp-image-47\" srcset=\"https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2025\/04\/Jill_Tokyo.jpg 800w, https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2025\/04\/Jill_Tokyo-300x268.jpg 300w, https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2025\/04\/Jill_Tokyo-768x685.jpg 768w, https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2025\/04\/Jill_Tokyo-13x12.jpg 13w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/a><\/figure>\n\n\n\n<h3 class=\"wp-block-heading has-text-align-center\"><strong>Jill Feldman<\/strong><\/h3>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">Voice<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group alignfull has-background has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\" id=\"kees\" style=\"background-color:#f5f3ee;padding-top:var(--wp--preset--spacing--70);padding-bottom:var(--wp--preset--spacing--70)\">\n<div class=\"wp-block-columns alignwide are-vertically-aligned-center is-layout-flex wp-container-core-columns-is-layout-be879e3a wp-block-columns-is-layout-flex\" style=\"margin-top:40px\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/settimana.lennard.dev\/wp-content\/uploads\/2025\/04\/Ensemble-Tetraktys-02-me-682x1024-1.jpg\" alt=\"\" class=\"wp-image-61\" srcset=\"https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2025\/04\/Ensemble-Tetraktys-02-me-682x1024-1.jpg 682w, https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2025\/04\/Ensemble-Tetraktys-02-me-682x1024-1-200x300.jpg 200w, https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2025\/04\/Ensemble-Tetraktys-02-me-682x1024-1-8x12.jpg 8w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<h2 class=\"wp-block-heading\" style=\"font-size:clamp(24.034px, 1.502rem + ((1vw - 3.2px) * 1.565), 40px);\">Kees Boeke<\/h2>\n\n\n\n<p class=\"wp-block-paragraph translation-block\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.588), 20px);\">Kees Boeke is an internationally renowned artist in the field of early music, specializing in recorders and medieval vielle, both as a performer, teacher and conductor. He has recorded over eighty CDs for Teldec, Das Alte Werk, EMI, RCA, Nuova Era, Channel Classics, Arcana, Symphonia, Attacca, Erato, Philips, Stradivarius, Glossa, Mirare and for his own label, <a href=\"https:\/\/o-livemusic.com\/\" target=\"_self\">Olive Music<\/a>, founded in 2001. His activity in the field of medieval music began as a member of Kees Otten's ensemble Syntagma Musicum in the 1970s and continued with the renowned ensembles Sour Cream (1972), Little Consort Amsterdam (1978) and Mala Punica (1989). In 2003 he founded the medieval ensemble Tetraktys. He regularly gives masterclasses all over the world, including Amsterdam, Leipzig, Tokyo, Seoul, Taiwan, Tel Aviv and Innsbruck. Together with Jos Haring, he is co-author of the series <a href=\"https:\/\/o-livemusic.com\/olive-music\/olive-music-editions-ome\/\" target=\"_self\">Olive Music Editions<\/a>, which currently includes the Modena Codex, the Prague Codex, Textless &amp; Instrumental Monophony 1180-1500, the Works of Anthonello da Caserta and the complete works of Solage. They are currently preparing the complete edition of the famous Chantilly Codex.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.588), 20px);\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.588), 20px);\">In 1970 Kees Boeke began teaching at the Royal Conservatory in The Hague and in 1975 at the Sweelinck Conservatorium in Amsterdam. Since 1990 he has been Professor of Flute and Early Music at the University of Music and Theatre in Zurich. From 2006 to 2014 he was Professor of Medieval and Renaissance Music at the Institute of Early Music in Trossingen (Germany).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.588), 20px);\">He has also conducted seminars and masterclasses in recorder and Early Music throughout the world\u2014including at the Deller Academy (Lacoste, France, 1972-1982), the International Courses of Early Music (Urbino, Italy, 1975-1982), and the Vancouver Early Music Festival\u2014and was responsible as artistic director for the International Courses of Early Music of San Floriano (Polcenigo, Italy, 1983-1993). Since 1989 he has collaborated with the Accademia Musicale Chigiana in Siena, for which in 1994 he produced I Vespri (Psalms for 4 choirs, 1612) by Ludovico da Viadana.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.588), 20px);\">In 1996, Kees Boeke began working as music director for the Ensemble Cantica Symphonia, with which he recorded motets by Costanzo Festa and masses by Guillaume Dufay. He has been invited as guest conductor by the vocal and instrumental group \u201cL\u2019Homme Arm\u00e9\u201d in Florence and by the Ensemble Ars Nova Copenhagen, giving concerts in the Netherlands, Belgium, and Denmark. Over the years, he has collaborated with the Hilliard Ensemble on concerts and recordings of music by Heinrich Isaac, Orlando di Lasso, and Philippe de Monte.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.588), 20px);\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.588), 20px);\">Since 2001 he has collaborated closely with Prof. Laurenz L\u00fctteken (University of Zurich) on projects and seminars in the field of medieval, Renaissance and baroque music. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.588), 20px);\">He has lived in Tuscany since 1980 and is a producer of extra virgin olive oil.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group alignfull has-background has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\" id=\"claudia\" style=\"background-color:#f2e7e8;padding-top:var(--wp--preset--spacing--70);padding-bottom:var(--wp--preset--spacing--70)\">\n<div class=\"wp-block-columns alignwide are-vertically-aligned-center is-layout-flex wp-container-core-columns-is-layout-424f2db2 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<h2 class=\"wp-block-heading\" style=\"font-size:clamp(24.034px, 1.502rem + ((1vw - 3.2px) * 1.565), 40px);\">Claudia Caffagni<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.588), 20px);\">Raised in a musically fertile environment, Claudia Caffagni began studying the lute under the guidance of her father Mirco at the age of thirteen. She then studied with Federico Marincola and Jacob Lindberg, with whom she obtained a diploma in \u201clute performance\u201d at the Royal College of Music in London in 1989; she later studied at the Schola Cantorum Basiliensis with Hopkinson Smith, specializing in German Baroque music. In parallel with her study of the instrument, she also studied the necessary sources, notation and treatises, later focusing her interest on medieval repertoire.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.588), 20px);\">In 1986 she was among the founders of the medieval music ensemble laReverdie, one of the most important groups at an international level, dedicated to the study and interpretation of medieval repertoire. With the ensemble laReverdie she carries out an intense concert activity, participating in the most prestigious festivals throughout Europe. Since 1993 she has recorded regularly for the ARCANA label, in co-production with WDR (Westdeutscher Rundfunk), with 17 recordings that have received numerous awards (including the Diapason d\u2019Or de l\u2019Ann\u00e9e 1993, Finalist 2010 and Finalist 2013 at the Midem Classical Awards, Early Music).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.588), 20px);\">Alongside her intense musical activity, in 1994 she graduated in Architecture with top marks and honors from IUAV with a thesis entitled \u201cTemperament in music and architecture: the Schola Riccatiana\u201d. On the same subject, her speech at the conference dedicated to Giordano Riccati held at the Cini Foundation in Venice in 2010 was published by Leo S. Olschki.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.588), 20px);\">She recently published the article \u201cHomage to Johannes Ciconia. Marce Marcum imitaris: a model for Ciconia\u2019s motets\u201d for the journal Marcinum, II\/2012. The article \u201cA new edition of the 14th-century Italian motet Marce, Marcum imitaris\u201d is in preparation for the Journal of the Alamire Foundation.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.588), 20px);\">On the occasion of the twentieth anniversary of the ensemble laReverdie (1986-2006), in view of the performance of the Missa Sancti Jacobi by Guillaume Du Fay, she edited a completely revised and corrected transcription of this work, from the Q15 codex (Bologna, International Museum and Library of Music) which, presented in 2014 at the \u201cLuigi Gaiatto\u201d prize promoted by the Ugo and Olga Levi Foundation, received a special mention.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.588), 20px);\">She has taught \u201cPerformance Practice of Early Music\u201d at the Conservatory of Trieste from 2001 to 2006 and regularly holds international courses and seminars in Italy (Urbino, Parma, etc.) and abroad. Since 2005 she has been a professor of Medieval Music at the Civica Scuola di Musica in Milan. From 2007 to 2015, she taught Mittelalterlaute and Fr\u00fce Notationskunde at the Staatliche Hochschule f\u00fcr Musik Trossingen (University of Music Trossingen\/Institute of Early Music).<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"832\" height=\"1024\" src=\"https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2025\/04\/claudia-Budapest-2015-832x1024-1.png\" alt=\"\" class=\"wp-image-31\" srcset=\"https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2025\/04\/claudia-Budapest-2015-832x1024-1.png 832w, https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2025\/04\/claudia-Budapest-2015-832x1024-1-244x300.png 244w, https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2025\/04\/claudia-Budapest-2015-832x1024-1-768x945.png 768w, https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2025\/04\/claudia-Budapest-2015-832x1024-1-10x12.png 10w\" sizes=\"auto, (max-width: 832px) 100vw, 832px\" \/><\/figure>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group alignfull has-background has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\" id=\"jill\" style=\"background-color:#f5f3ee;padding-top:var(--wp--preset--spacing--70);padding-bottom:var(--wp--preset--spacing--70)\">\n<div class=\"wp-block-columns alignwide are-vertically-aligned-center is-layout-flex wp-container-core-columns-is-layout-424f2db2 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2025\/04\/P1130732-1024x768-1.jpg\" alt=\"\" class=\"wp-image-36\" srcset=\"https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2025\/04\/P1130732-1024x768-1.jpg 1024w, https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2025\/04\/P1130732-1024x768-1-300x225.jpg 300w, https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2025\/04\/P1130732-1024x768-1-768x576.jpg 768w, https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2025\/04\/P1130732-1024x768-1-16x12.jpg 16w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<h2 class=\"wp-block-heading\" style=\"font-size:clamp(24.034px, 1.502rem + ((1vw - 3.2px) * 1.565), 40px);\">Jill Feldman<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.588), 20px);\">Jill Feldman has taught at the Zurich University of the Arts and the Royal Conservatory of The Hague and has regularly given masterclasses and workshops for the Associazione Amici della Musica in Florence, the Academia de Musica Antiga de Lisboa, the International Seminar of Ancient Music\u2014Tel Aviv, the IYAP in Antwerp, the Cursos Internacionales Manuel de Falla in Granada, in Japan, and in South Korea.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.588), 20px);\">She studied singing with Lillian Loran in San Francisco and graduated from the University of California at Santa Barbara. She then specialized in early music in Basel under the guidance of Andrea Von Ramm.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.588), 20px);\">She subsequently made her debut in three major productions: Monteverdi\u2019s Orfeo in Berkeley, California, Cavalli\u2019s Erismena at the Festival dei Due Mondi in Spoleto, and Hildegard von Bingen\u2019s acclaimed Ordo Virtutum with the medieval group Sequentia.<\/p>\n\n\n\n<p class=\"wp-block-paragraph translation-block\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.588), 20px);\">From 1981 to 1986, Jill Feldman sang with William Christie and Les Arts Florissants. With this group she recorded twelve discs, including Marc Antoine Charpentier\u2019s opera <em>M\u00e9d\u00e9e<\/em> in the title role, which received the <em>Gramophone<\/em> magazine prize (London), the Charles Cros prize (Paris), and the Grand Prix du Disque (Montreux) in 1985. Since then, she has taken part in more than fifty recordings.<\/p>\n\n\n\n<p class=\"wp-block-paragraph translation-block\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.588), 20px);\">In 2003, she founded with her husband, Kees Boeke, the recording company Olive Music, for which they have recorded four medieval programmes: <em>Trecento<\/em> (from Machaut to Ciconia), <em>Chansons<\/em> by Guillaume Dufay, <em>O tu cara scien\u00e7a mie musica<\/em> (Codice Squarcialupi) and <em>Codice Chantilly<\/em>; <em>Consort Songs<\/em> by William Byrd and contemporaries, <em>Les Le\u00e7ons de T\u00e9n\u00e8bres<\/em> by Charpentier, Delalande, Couperin and <em>\u201cSongs\u201d<\/em> by Charles Ives.<\/p>\n\n\n\n<p class=\"wp-block-paragraph translation-block\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.588), 20px);\">Jill Feldman has been invited by conductors such as Frans Br\u00fcggen (Haydn's <em>Die Sch\u00f6pfung<\/em>), Andrew Parrot (Handel's <em>Carmelite Vespers<\/em>), Jordi Savall (Delalande Motets), Nicholas McGegan (Handel's cantata <em>Tirsi Clori e Fileno<\/em> and the oratorio <em>Susanna<\/em>) and Ren\u00e9 Jacobs (<em>Orontea<\/em> by Cesti and <em>Xerse<\/em> by Cavalli). She performed the role of Armida in <em>Lo castello liberato<\/em> by Stradella at the Teatro di Modena and the role of Vita in <em>La Vita Humana<\/em> by Marrazzoli at the Glasgow Tramway.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.588), 20px);\">In the field of contemporary music, she collaborates with the Duix ensemble, with which she has held concerts, among other places, at Villa Medici in Rome, at Santa Maria delle Grazie in Milan, and at the Ysbreker Festival in Amsterdam.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group alignfull has-background has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\" id=\"programma\" style=\"background-color:#f0f5e4;padding-top:var(--wp--preset--spacing--70);padding-bottom:var(--wp--preset--spacing--70)\">\n<h2 class=\"wp-block-heading has-text-align-center\" style=\"font-size:clamp(24.034px, 1.502rem + ((1vw - 3.2px) * 1.565), 40px);\">Program<\/h2>\n\n\n\n<details class=\"wp-block-details alignwide is-layout-flow wp-block-details-is-layout-flow\"><summary><strong>Monday 6 July<\/strong><\/summary>\n<p class=\"wp-block-paragraph\">mattina\/pomeriggio                                                <strong>Arrival<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">18:00 Incontro con tutti nella chiesa di San Pier Piccolo.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<details class=\"wp-block-details alignwide is-layout-flow wp-block-details-is-layout-flow\"><summary><strong>Tuesday 7 July<\/strong>                                                    <em>Chiesa di S. Pier Piccolo<\/em>                      <\/summary>\n<figure class=\"wp-block-table is-style-stripes\"><table class=\"has-fixed-layout\"><tbody><tr><td><strong>9:30<\/strong><\/td><td>Lezione di gruppo Kees Boeke: come approcciare il repertorio subtilior del Codice J.II.9 di Torino<\/td><\/tr><tr><td><strong>11:00<\/strong><\/td><td>Ensemble 1\/lezioni di canto (via Pescaia)<\/td><\/tr><tr><td><strong>12:00<\/strong><\/td><td>Ensemble 2\/lezioni di canto <\/td><\/tr><tr><td><strong>13:00<\/strong><\/td><td>Lunch break<\/td><\/tr><tr><td><strong>14:15<\/strong><\/td><td>Notazione del XIV secolo  1 (Claudia Caffagni)<br><\/td><\/tr><tr><td><strong>15:30<\/strong>                                                                                                                                                                                                                                                                                                                                           <br><strong>16:45<\/strong><\/td><td>Ensemble 3<br>Ensemble 4<\/td><\/tr><\/tbody><\/table><\/figure>\n<\/details>\n\n\n\n<details class=\"wp-block-details alignwide is-layout-flow wp-block-details-is-layout-flow\"><summary><strong>Wednesday 9 July<\/strong><\/summary>\n<figure class=\"wp-block-table is-style-stripes\"><table class=\"has-fixed-layout\"><tbody><tr><td><strong>9:00<\/strong><\/td><td>Kees Boeke Group Lesson: How to approach a 14th Century Song<\/td><\/tr><tr><td><strong>9:45<\/strong><\/td><td>Group lesson Claudia Caffagni: 14th century notation 1<\/td><\/tr><tr><td><strong>10:40<\/strong><\/td><td>Individual coaching (singers and instrumentalists)<\/td><\/tr><tr><td><strong>13:00<\/strong><\/td><td>Lunch break<\/td><\/tr><tr><td><strong>14:15<\/strong><\/td><td>14th Century Notation 2 (Advanced Level)<\/td><\/tr><tr><td><strong>15:00\u201318:30<\/strong><\/td><td>Ensembles <\/td><\/tr><\/tbody><\/table><\/figure>\n<\/details>\n\n\n\n<details class=\"wp-block-details alignwide is-layout-flow wp-block-details-is-layout-flow\"><summary><strong>Thursday 9 July<\/strong><\/summary>\n<figure class=\"wp-block-table is-style-stripes\"><table class=\"has-fixed-layout\"><tbody><tr><td><strong>Morning<\/strong><\/td><td><\/td><\/tr><tr><td><strong>14:15<\/strong><\/td><td>14th Century Notation 2 (Advanced Level)<\/td><\/tr><tr><td><strong>15:00\u201318:30 <\/strong><\/td><td>Ensembles 4, 5, 6<\/td><\/tr><\/tbody><\/table><\/figure>\n<\/details>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<details class=\"wp-block-details alignwide is-layout-flow wp-block-details-is-layout-flow\"><summary><strong>Friday 10 July<\/strong><\/summary>\n<figure class=\"wp-block-table is-style-stripes\"><table class=\"has-fixed-layout\"><tbody><tr><td><strong>9:00<\/strong><\/td><td>Kees Boeke Group Lesson: How to approach a 14th Century Song<\/td><\/tr><tr><td><strong>9:45<\/strong><\/td><td>Group lesson Claudia Caffagni: 14th century notation 1<\/td><\/tr><tr><td><strong>10:40<\/strong><\/td><td>Individual coaching (singers and instrumentalists)<\/td><\/tr><tr><td><strong>13:00<\/strong><\/td><td>Lunch break<\/td><\/tr><tr><td><strong>14:15<\/strong><\/td><td>14th Century Notation 2 (Advanced Level)<\/td><\/tr><tr><td><strong>15:00\u201318:30<\/strong><\/td><td>Ensembles 1, 2, 3<\/td><\/tr><\/tbody><\/table><\/figure>\n<\/details>\n\n\n\n<details class=\"wp-block-details alignwide is-layout-flow wp-block-details-is-layout-flow\"><summary><strong>Saturday 11 July<\/strong><\/summary>\n<figure class=\"wp-block-table is-style-stripes\"><table class=\"has-fixed-layout\"><tbody><tr><td><strong>9:00<\/strong><\/td><td>Kees Boeke Group Lesson: How to approach a 14th Century Song<\/td><\/tr><tr><td><strong>9:45<\/strong><\/td><td>Group lesson Claudia Caffagni: 14th century notation 1<\/td><\/tr><tr><td><strong>10:40<\/strong><\/td><td>Individual coaching (singers and instrumentalists)<\/td><\/tr><tr><td><strong>13:00<\/strong><\/td><td>Lunch break<\/td><\/tr><tr><td><strong>14:15<\/strong><\/td><td>14th Century Notation 2 (Advanced Level)<\/td><\/tr><tr><td><strong>15:00\u201318:30<\/strong><\/td><td>Ensembles 4, 5, 6<\/td><\/tr><\/tbody><\/table><\/figure>\n<\/details>\n\n\n\n<details class=\"wp-block-details alignwide is-layout-flow wp-block-details-is-layout-flow\"><summary><strong>Sunday 12 July<\/strong><\/summary>\n<figure class=\"wp-block-table is-style-stripes\"><table class=\"has-fixed-layout\"><tbody><tr><td><strong>9:00\u201313:00<\/strong><\/td><td>Prove (Ivan Bruschi)<\/td><\/tr><tr><td><strong>13:00<\/strong><\/td><td>Lunch break<\/td><\/tr><tr><td><strong>15:00\u201317:30<\/strong><\/td><td>Prova generale per il concerto finale (Chiesa SPP)<\/td><\/tr><tr><td><strong>18:30<\/strong><\/td><td>Final Concert<\/td><\/tr><tr><td><strong>Dopo<\/strong><\/td><td>Collective dinner<\/td><\/tr><\/tbody><\/table><\/figure>\n<\/details>\n\n\n\n<details class=\"wp-block-details alignwide is-layout-flow wp-block-details-is-layout-flow\"><summary><strong>Monday 13 July<\/strong><\/summary>\n<figure class=\"wp-block-table is-style-stripes\"><table class=\"has-fixed-layout\"><tbody><tr><td><strong>Morning<\/strong><\/td><td>Departure<\/td><\/tr><\/tbody><\/table><\/figure>\n<\/details>\n<\/div>\n\n\n\n<div class=\"wp-block-cover alignfull has-background-dim-40\" style=\"margin-top:0;padding-top:var(--wp--preset--spacing--70);padding-bottom:var(--wp--preset--spacing--70);min-height:430px;aspect-ratio:unset;\" id=\"arezzo\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"473\" class=\"wp-block-cover__image-background wp-image-50 size-full\" alt=\"\" src=\"https:\/\/settimana.lennard.dev\/wp-content\/uploads\/2025\/04\/piazza_grande_opaque-1024x473-1.jpg\" data-object-fit=\"cover\" srcset=\"https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2025\/04\/piazza_grande_opaque-1024x473-1.jpg 1024w, https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2025\/04\/piazza_grande_opaque-1024x473-1-300x139.jpg 300w, https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2025\/04\/piazza_grande_opaque-1024x473-1-768x355.jpg 768w, https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2025\/04\/piazza_grande_opaque-1024x473-1-18x8.jpg 18w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-40 has-background-dim\" style=\"background-color:#212121\"><\/span><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-c51f9e8f wp-block-group-is-layout-constrained\">\n<h2 class=\"wp-block-heading has-text-align-center\" style=\"font-size:clamp(24.034px, 1.502rem + ((1vw - 3.2px) * 1.565), 40px);\">The building \u2013 Il Palazzo del Capitano<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">An ancient and noble historical house opens up to the public with its treasures.<\/h2>\n\n\n\n<p class=\"has-text-align-left wp-block-paragraph\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.588), 20px);\">By Ivan Bruschi\u2019s will, the headquarters of the Foundation is situated in the Palazzo del Capitano del Popolo, one of the early \u2018300 most elegant civil buildings of Arezzo.<br>The building \u2013 Il Palazzo del Capitano\n\nAn ancient and noble historical house opens up to the public with its treasures.\n\nBy Ivan Bruschi\u2019s will, the headquarters of the Foundation is situated in the Palazzo del Capitano del Popolo, one of the early \u2018300 most elegant civil buildings of Arezzo. Situated in front of the famous Romanic Pieve di Santa Maria, in the upper part of the historical city center, where the most distinguished memories are conserved and the hundred-year old buildings of the city authorities are, the Palazzo del Capitano takes is name, perhaps by having been the Parte Guelfa di Arezzo headquarter and the Captain of Justice. Already been home of the Lodomei, the building had been property of the Camaiani, the Guelph family, who got hold of it in the 14th century. It indicated, as the Mint Palace since, as reported in the documents, at the beginning of the 14th century, for a short time, became the residence of the Ufficiali di Gabella, and in the 15th century of the Florentine Public Ufficiali.\nThe origin of the building date back to the 13th century when it was built on a much older building. The history of the building is told in part by the coat of arms placed on the building fa\u00e7ade. The ones that are still intact, break the rules of the original walls and represent the emblems of the town of Arezzo (golden cross on a red field), of the Camaiani family (turquoise background with a gold band across the top and a red rake with three golden lilies between the teeth) and of the city of Florence (the lily). It is deducible that in the 15th century the building was already property of the town Govern and most probably only after 1384, year of the end of the independence of Arezzo, the Mint was placed here.\nBy observing the building, it is possible to notice the evident wide scar caused by the bombing that on December the 2nd of 1943 gravely attacked the historical city center of Arezzo. The original part of the building is clearly recognizable from the previous that was rebuilt at the end of the 60s by Ivan Bruschi\u2019s will, in the background of an operation that involved the rebuilt of the interiors of the old building as well.\nThe beautiful and severe facade of the building has regular serena stone segments, highlighted by the prospective view and by the game of lights given by the unique position on the tilted street of Via dei Pileati. The severe and clean scannings of the structure determine the architectural of the Palace. The four portals, one of which is quite large with the arch lowered to the ground floor, the linear frame with simple decoration, the five windows of the noble floor that follow the paste of the ground openings, and finally the small windows placed underneath the wide eave, which space is highlighted by the last stringcourse. The entrance of the Palace confirms the impression of the typical Tuscan austerity, which in the shade of the wide entrance becomes harmonious and severe nobility. The tall walls, highlighted by the precious lapidary and covered by cross vaults on serene stone corbels and the volumetric game of the corridor followed by the first access hall, lead to the internal \u2018400 century cloister, highlighted in the middle by an ancient well and by a loggia with serene stone columns with precious acanthus leaves headbands. Following the prospective path of the ground floor, defined by the luminous source of the second court, we reach wide rooms covered with vaults. The elegant first floor rooms always distinguished by austerity, in which can be admire the well-conserved wooden ceilings and by the windows, there is an unusual and extraordinary view of the Romanic Pieve. The presence of portals, shelves and serene stone fireplaces reminds of the \u2018400 century structure of the building in which Ivan Bruschi lived until his death.<strong>Palazzo del Capitano<\/strong>\u201d deve probabilmente il suo nome dall\u2019essere stato la sede della Parte Guelfa di Arezzo e forse del Capitano di Giustizia. Gi\u00e0 casa dei Lodomei, l\u2019edificio fu poi propriet\u00e0 dei Camaiani, la famiglia guelfa che ne venne in possesso nel \u2018300. Viene indicato anche come Palazzo della Zecca poich\u00e9, come risulta dai documenti, all\u2019inizio del XIV secolo divenne per un periodo la residenza degli Ufficiali di Gabella e nel XV sec. degli Ufficiali pubblici fiorentini.<br>The origin of the building date back to the 13th century when it was built on a much older building. The history of the building is told in part by the coat of arms placed on the building fa\u00e7ade. The ones that are still intact, break the rules of the original walls and represent the emblems of the town of Arezzo (golden cross on a red field), of the Camaiani family (turquoise background with a gold band across the top and a red rake with three golden lilies between the teeth) and of the city of Florence (the lily). It is deducible that in the 15th century the building was already property of the town Govern and most probably only after 1384, year of the end of the independence of Arezzo, the Mint was placed here.<br>By observing the building, it is possible to notice the evident wide scar caused by the bombing that on December the 2nd of 1943 gravely attacked the historical city center of Arezzo. The original part of the building is clearly recognizable from the previous that was rebuilt at the end of the 60s by Ivan Bruschi\u2019s will, in the background of an operation that involved the rebuilt of the interiors of the old building as well.<br>The beautiful and severe facade of the building has regular serena stone segments, highlighted by the prospective view and by the game of lights given by the unique position on the tilted street of Via dei Pileati. The severe and clean scannings of the structure determine the architectural of the Palace. The four portals, one of which is quite large with the arch lowered to the ground floor, the linear frame with simple decoration, the five windows of the noble floor that follow the paste of the ground openings, and finally the small windows placed underneath the wide eave, which space is highlighted by the last stringcourse.<br>The entrance of the Palace confirms the impression of the typical Tuscan austerity, which in the shade of the wide entrance becomes harmonious and severe nobility. The tall walls, highlighted by the precious lapidary and covered by cross vaults on serene stone corbels and the volumetric game of the corridor followed by the first access hall, lead to the internal \u2018400 century cloister, highlighted in the middle by an ancient well and by a loggia with serene stone columns with precious acanthus leaves headbands. Following the prospective path of the ground floor, defined by the luminous source of the second court, we reach wide rooms covered with vaults. The elegant first floor rooms always distinguished by austerity, in which can be admire the well-conserved wooden ceilings and by the windows, there is an unusual and extraordinary view of the Romanic Pieve. The presence of portals, shelves and serene stone fireplaces reminds of the \u2018400 century structure of the building in which Ivan Bruschi lived until his death.<\/p>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group alignfull has-background has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\" id=\"eventi\" style=\"background-color:#f5f3ee;padding-top:var(--wp--preset--spacing--70);padding-bottom:var(--wp--preset--spacing--70)\">\n<h2 class=\"wp-block-heading has-text-align-center\" style=\"font-size:clamp(24.034px, 1.502rem + ((1vw - 3.2px) * 1.565), 40px);\">Events<\/h2>\n\n\n\n<div class=\"wp-block-columns alignwide are-vertically-aligned-center is-layout-flex wp-container-core-columns-is-layout-cc2accd9 wp-block-columns-is-layout-flex\" style=\"padding-top:40px\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:55%\">\n<p class=\"wp-block-paragraph\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.588), 20px);\"><strong>FIERA DELL&#8217;ANTIQUARIATO <\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.588), 20px);\">ANTIQUES FAIR\n\nThe Arezzo Antiques Fair, held every first Saturday and Sunday of the month, is the largest in Italy, with over 500 exhibitors. The first to take place in Italy, in 1968, it is the best known and most popular. Here, visitors can take a dip into the past, savoring the pleasure of discovery, immersing themselves in an impressive variety of objects from different eras. Each edition of the Fair has an average of twenty thousand visitors: collectors, antique dealers, tourists or simply curious people indulge in a stimulating outdoor stroll among the stalls that exhibit in the most characteristic places of the historic center, having at their disposal the most disparate antiques: furniture, old books, paintings, ceramics, artistic hardware, Art Nouveau stained glass, old scientific and professional instruments, watches, silver, jewelry, lace and embroidery, collections of various kinds, art deco objects, modern antiques. Anyone who has visited it, Italian or foreign, takes home an unforgettable memory of our city: it is truly an event not to be missed!<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:45%\">\n<figure class=\"wp-block-image alignright size-full is-resized\" style=\"margin-top:0\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"400\" src=\"https:\/\/settimana.lennard.dev\/wp-content\/uploads\/2025\/04\/fiera_antiquaria.jpg\" alt=\"\" class=\"wp-image-41\" style=\"width:480px;height:auto\" srcset=\"https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2025\/04\/fiera_antiquaria.jpg 500w, https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2025\/04\/fiera_antiquaria-300x240.jpg 300w, https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2025\/04\/fiera_antiquaria-15x12.jpg 15w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-columns alignwide are-vertically-aligned-center is-layout-flex wp-container-core-columns-is-layout-d7bb7af5 wp-block-columns-is-layout-flex\" style=\"padding-top:60px\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:45%\">\n<figure class=\"wp-block-image size-full\" style=\"margin-top:0\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"400\" src=\"https:\/\/settimana.lennard.dev\/wp-content\/uploads\/2025\/04\/saracino.jpg\" alt=\"\" class=\"wp-image-42\" srcset=\"https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2025\/04\/saracino.jpg 500w, https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2025\/04\/saracino-300x240.jpg 300w, https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2025\/04\/saracino-15x12.jpg 15w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:55%\">\n<p class=\"wp-block-paragraph\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.588), 20px);\"><br><strong>GIOSTRA DEL SARACINO<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.588), 20px);\">The Giostra del Saracino is the most exciting and characteristic folkloristic show in Arezzo. Representatives of the city districts take part in the Giostra, wearing magnificent medieval costumes. The four districts are distinguished by their different colours: Porta Crocifera red-green; Porta Sant\u2019Andrea white-green; Porta Santo Spirito yellow-blue; Porta del Foro yellow-crimson. After an evocative parade through the streets and squares of the city, in a colourful procession of musicians, flag-wavers, horses, knights and damsels, everyone gathers in the crowded Piazza Grande to watch the spectacular performance of the Flag-wavers Group, which precedes the start of the Giostra itself. From the back of the square, while the drums roll, the jouster urges his horse into a gallop and, with his lance in rest, hits the \u2018Saracino\u2019, the silhouette of the buratto armed with a flail, on which the score obtained is written. The result is commented by the crowd with an unstoppable explosion of enthusiasm or dissent, depending on the contrada to which the jouster belongs. After the eight established careers, a ranking is drawn up and the winning contrada is awarded a golden lance. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.588), 20px);\">Fonte: <a href=\"http:\/\/www.arezzoturismo.it\" target=\"_blank\" rel=\"noreferrer noopener\">www.arezzoturismo.it<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group alignfull has-background has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\" id=\"informazioni\" style=\"background-color:#e3e8ff;padding-top:var(--wp--preset--spacing--70);padding-bottom:var(--wp--preset--spacing--70)\">\n<h2 class=\"wp-block-heading has-text-align-center\" style=\"font-size:clamp(22.041px, 1.378rem + ((1vw - 3.2px) * 1.369), 36px);\">Information<\/h2>\n\n\n\n<details class=\"wp-block-details alignwide is-layout-flow wp-block-details-is-layout-flow\" open><summary><strong>Information<\/strong><\/summary>\n<p class=\"wp-block-paragraph\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.588), 20px);\"><br>The course is limited to 24 students. In the event that registrations exceed the number of available places, a selection will be made based on the mandatory curriculum vitae to be attached to the registration form. You will be informed as soon as possible of the positive or negative outcome of your registration.<\/p>\n<\/details>\n\n\n\n<details class=\"wp-block-details alignwide is-layout-flow wp-block-details-is-layout-flow\"><summary><strong>Fee and payment<\/strong><\/summary>\n<p class=\"wp-block-paragraph\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.588), 20px);\">The registration fee is \u20ac450 and includes: lessons with the teachers of the chosen courses, all group lessons and participation in the final concert. Once the application is accepted, you can proceed with registration and payment directly at Olive Music, Triodos Bank IBAN: NL75TRIO0390478784 BIC: TRIONL2U. Board and lodging are the students' responsibility. We can help you find rooms or B&amp;Bs in the city online. A group dinner organized by the course at a fixed price of around \u20ac25 is planned after the final concert.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.588), 20px);\">The bank transfer, with the reason \u201cSettimana Musicale del Trecento\u201d, must be made to the following account:<br>Olive Music v.o.f. Triodos Bank, Netherlands IBAN NL75 TRIO 0390478784 BIC TRIONL2U <br>or via PayPal<\/p>\n\n\n\n<form action=\"https:\/\/www.paypal.com\/cgi-bin\/webscr\" method=\"post\" target=\"_top\"><input name=\"cmd\" type=\"hidden\" value=\"_s-xclick\" \/>\n<input name=\"hosted_button_id\" type=\"hidden\" value=\"JFBW5ED9KWLWL\" \/>\n<input alt=\"PayPal \u2013 The safer, easier way to pay online!\" name=\"submit\" src=\"https:\/\/www.paypalobjects.com\/en_GB\/i\/btn\/btn_paynowCC_LG.gif\" type=\"image\" \/>\n<img decoding=\"async\" fetchpriority=\"low\" src=\"https:\/\/www.paypalobjects.com\/nl_NL\/i\/scr\/pixel.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/><\/form>\n<\/details>\n\n\n\n<details class=\"wp-block-details alignwide is-layout-flow wp-block-details-is-layout-flow\"><summary><strong>Applications<\/strong><\/summary>\n<p class=\"wp-block-paragraph\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.588), 20px);\">Applications must be submitted no later than June 2, 2026, by completing the online form. Applications will be accepted on a first-come, first-served basis, so don't hesitate to register! The application must include the student's CV in PDF format. You can upload your CV immediately after submitting your application or by clicking this link.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.588), 20px);\">In the application, please indicate any references (name, surname) to other people in the group (3 or more people) in order to obtain a reduction on the fee. The application will be considered completed and therefore definitively accepted FOLLOWING THE RECEIPT OF PAYMENT of the total fee, \u20ac 450, by bank transfer with reason \u201cSettimana Musicale del Trecento\u201d to the current account indicated below: Olive Music v.o.f. Triodos Bank, Netherlands, IBAN NL75 TRIO 0390478784, BIC TRIONL2U, or via PayPal. <\/p>\n\n\n\n<form action=\"https:\/\/www.paypal.com\/cgi-bin\/webscr\" method=\"post\" target=\"_top\"><input name=\"cmd\" type=\"hidden\" value=\"_s-xclick\" \/>\n<input name=\"hosted_button_id\" type=\"hidden\" value=\"JFBW5ED9KWLWL\" \/>\n<input alt=\"PayPal \u2013 The safer, easier way to pay online!\" name=\"submit\" src=\"https:\/\/www.paypalobjects.com\/en_GB\/i\/btn\/btn_paynowCC_LG.gif\" type=\"image\" \/>\n<img decoding=\"async\" fetchpriority=\"low\" src=\"https:\/\/www.paypalobjects.com\/nl_NL\/i\/scr\/pixel.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/><\/form>\n<\/details>\n\n\n\n<details class=\"wp-block-details alignwide is-layout-flow wp-block-details-is-layout-flow\"><summary><strong>Confirmation and cancellations<\/strong><\/summary>\n<p class=\"wp-block-paragraph\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.588), 20px);\"><br>Applications must be received no later than June 2, 2026. Confirmation of acceptance or rejection will be communicated as soon as possible. If the application is rejected, the fee will be refunded in full or, upon request, the application will be placed on a waiting list. If you withdraw by June 20, the registration fee will be refunded minus a \u20ac50 administrative fee; after this deadline, a refund will no longer be available.<\/p>\n<\/details>\n\n\n\n<details class=\"wp-block-details alignwide is-layout-flow wp-block-details-is-layout-flow\"><summary><strong>How to arrive<\/strong><\/summary>\n<p class=\"wp-block-paragraph\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.588), 20px);\">Arezzo is located in Tuscany, on the border with Marche and Umbria, well connected to the main airports of the region (Pisa and Florence) and to the neighboring regions of Perugia and Bologna.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.588), 20px);\">By car: Arezzo can be reached by car from Florence or Rome via the Autostrada del Sole (Milan-Naples), exiting at the Arezzo toll booth. From here it is about 10 km to reach the city center: follow the signs for Parcheggio Pietri. Reach Casa Petrarca from Parcheggio Pietri: <a href=\"https:\/\/goo.gl\/maps\/W7kTRDQP59PmTwdD7\">https:\/\/goo.gl\/maps\/W7kTRDQP59PmTwdD7<\/a>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.588), 20px);\">By train: Arezzo train station is located along the Bologna-Rome railway line. The station is served by daily Intercity train connections to Florence, Rome and the rest of Italy. TFT (Trasporto Ferroviario Toscano) of the LFI group manages the railway lines to Arezzo-Sinalunga and Arezzo-Stia. How to reach Casa Petrarca from the station: https:\/\/goo.gl\/maps\/C47rLm6Wgss<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.588), 20px);\">By bus: Arezzo is connected to Valdichiana, Valtiberina, Pratomagno, Casentino and Valdarno by a network of connections managed by ATAM and Autolinee Toscane (AT).&nbsp;<br>From Amerigo Vespucci Airport in Florence-Peretola by car: take the A1 motorway towards Rome, exiting at Arezzo; by train: tram or taxi from the airport to Santa Maria Novella station. From there, take the train to Arezzo, Chiusi, Foligno or Rome (excluding EuroStar).&nbsp;<br>From Pisa Galileo Galilei Airport, by car: take the A11 motorway to Florence and then the A1 to Arezzo; by train: at Pisa Airport station, take the shuttle to Pisa Centrale station. From there, take the train to Florence Santa Maria Novella and from there, take trains to Arezzo, Chiusi, Foligno or Rome (excluding EuroStar). Road distances from Arezzo: Cortona 29 km; Florence 74 km; Siena 89 km; Perugia 92 km; Rome 218 km.<\/p>\n<\/details>\n<\/div>\n\n\n\n<div class=\"wp-block-group alignfull has-background has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\" id=\"iscrizioni\" style=\"background-color:#cfe7dc;padding-top:var(--wp--preset--spacing--70);padding-bottom:var(--wp--preset--spacing--70)\">\n<h2 class=\"wp-block-heading has-text-align-center\" style=\"font-size:clamp(22.041px, 1.378rem + ((1vw - 3.2px) * 1.369), 36px);\"><br>Applications<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">To apply, please complete the following form by June 2, 2026.<\/p>\n\n\n<p><form id=\"forminator-module-142\" class=\"forminator-custom-form forminator-custom-form-142\" method=\"post\" data-forminator-render=\"0\" data-uid=\"6acadef6ef76b\" action=\"\"><div role=\"alert\" aria-live=\"polite\" class=\"forminator-response-message forminator-error\" aria-hidden=\"true\"><\/div><input type=\"hidden\" name=\"trp-form-language\" value=\"en\"\/><\/form><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-group alignfull has-background has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\" id=\"contatti\" style=\"background-color:#dedede;padding-top:var(--wp--preset--spacing--70);padding-bottom:var(--wp--preset--spacing--70)\">\n<h1 class=\"wp-block-heading has-text-align-center\" style=\"font-size:clamp(24.034px, 1.502rem + ((1vw - 3.2px) * 1.565), 40px);\">Contacts<\/h1>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\" style=\"padding-top:0;padding-bottom:0\">For applications or questions, visit the official website or write us via email.<\/p>\n\n\n\n<div class=\"wp-block-columns alignwide are-vertically-aligned-center is-layout-flex wp-container-core-columns-is-layout-4d312447 wp-block-columns-is-layout-flex\" style=\"margin-top:0;margin-bottom:0;padding-top:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50)\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Eleonora Nardone<\/strong> <br><a href=\"mailto:eleonora.nardone@gmail.com\">eleonora.nardone@gmail.com<\/a> <br><br><strong>Kees Boeke <\/strong><br><a href=\"mailto:kees@settimanamusicaledeltrecento.it\">kees@settimanamusicaledeltrecento.it<\/a><br><a href=\"mailto:ksboeke@gmail.com\">ksboeke@gmail.com<\/a><br>Tel: +39 333 5001624  <br><br><strong>Jill Feldman <\/strong><br><a href=\"mailto:jillann52@me.com\">jillann52@me.com <\/a><br>Tel: +39 333 5029039 <\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<form id=\"forminator-module-179\" class=\"forminator-custom-form forminator-custom-form-179\" method=\"post\" data-forminator-render=\"0\" data-uid=\"6acadef6f2081\" action=\"\"><div role=\"alert\" aria-live=\"polite\" class=\"forminator-response-message forminator-error\" aria-hidden=\"true\"><\/div><input type=\"hidden\" name=\"trp-form-language\" value=\"en\"\/><\/form>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group is-style-default is-horizontal is-content-justification-center is-nowrap is-layout-flex wp-container-core-group-is-layout-36f1a3a8 wp-block-group-is-layout-flex\" style=\"margin-top:0;margin-bottom:0;padding-top:var(--wp--preset--spacing--70);padding-bottom:var(--wp--preset--spacing--70)\">\n<figure class=\"wp-block-gallery has-nested-images columns-2 wp-block-gallery-1 is-layout-flex wp-container-core-gallery-is-layout-b8f0dc8b wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-thumbnail is-resized is-style-default\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"70\" data-id=\"32\" src=\"https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2025\/04\/lyralogo-150x70.jpg\" alt=\"Lyra note\" class=\"wp-image-32\" style=\"width:261px;height:auto\" srcset=\"https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2025\/04\/lyralogo-150x70.jpg 150w, https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2025\/04\/lyralogo-18x7.jpg 18w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.dimamusicarezzo.com\/\" target=\"_blank\" rel=\" noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"512\" data-id=\"188\" src=\"https:\/\/www.settimanamusicaledeltrecento.it\/wp-content\/uploads\/2025\/04\/DIMA-logo-1024x512.jpg\" alt=\"\" class=\"wp-image-188\" srcset=\"\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" data-srcset=\"\" \/><\/a><\/figure>\n<\/figure>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>","protected":false},"excerpt":{"rendered":"<p>Il corso La \u201cSettimana\u201d si svolger\u00e0 quest\u2019anno dal 6 al 12 luglio, con arrivi il 6 e partenze il 13, presso la sede della Casa Museo Ivan Bruschi, di fronte alla chiesa di Santa Maria della Pieve. Il concerto finale, come ormai da tradizione, si terr\u00e0 nella vicina Chiesa di San Pier Piccolo, la sera [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-12","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>la X &quot;Settimana musicale del Trecento&quot; - Settimanamusicaledeltrecento<\/title>\n<meta name=\"description\" content=\"Settimana musica le del trecento. 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